备注:已完结
类型:剧情片
主演:Theodoros Katsadramis Lina Triantaf
导演:西奥·安哲罗普洛斯 Theodoros Angelopoulos
语言:其它
年代:未知
简介:安哲学生时代的短片作品。
备注:已完结
类型:喜剧片
主演:阿利斯·塞勒维塔利斯 Sofia Georgovassili 安娜·卡
导演:克里斯托斯·尼寇
语言:其它
年代:未知
简介:由克里斯托斯·尼寇执导,阿利斯·塞勒维塔利斯主演,故事讲述在不远的将来,一种不知名的传染病在城市里蔓延,症状为患者会突然失去所有的记忆,染病的原因不明,也没有疫苗预防与相关治疗手段。而主角作为在街上突然「断片」被安置到新居的人,没有身份证件也无家人认领,只知道自己爱吃苹果。
备注:已完结
类型:剧情片
主演:保罗·纽曼 皮耶尔·安杰利 埃弗雷特·斯隆 艾琳·哈卡特 萨尔·米涅奥
导演:罗伯特·怀斯
语言:英语
年代:未知
简介:洛奇(保罗·纽曼 Paul Newman 饰)出生在位于纽约的一个非常贫困的家庭之中,他的父亲曾经梦想成为一名拳击手,但可惜窘迫的生活条件让这个梦想最终化为了泡影,于是,这个失落的男人只能整日生活在郁郁寡欢之中,靠着酒精排遣内心的不满。 荷尔蒙爆棚的洛奇整天在大街上打架惹是生非,这让他和父亲之间的关系变得非常的糟糕。某日,洛奇得到了军中长官的赏识,在长官的鼓励之下,他决定去拳坛一试身手,因此意外发现了隐藏在基因里的天赋,从此走上了拳击的道路。拳击不仅拯救了洛奇,以化解了他和父亲之间长久的仇恨。
备注:已完结
类型:科幻片
主演:Margarete Schön Theodor Loos Paul B
语言:其它
年代:未知
简介:Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.